Tuesday, June 14, 2016

From the Stacks: Flag Day

By Emiko Hastings, Curator of Books

In honor of Flag Day, we share a variety of U.S. flag-related imagery from across the Clements Library collections. Flag Day, established by President Woodrow Wilson, in 1916, commemorates the adoption of the flag of the United States on June 14th, 1777.

Addie Guthrie Weaver, The Story of Our Flag, Colonial and National: With Historical Sketch of the Quakeress, Betsy Ross (Chicago, 1898). 

The Book Division includes a variety of printed materials about the history of the flag and its uses. One such example is The Story of Our Flag, Colonial and National: With Historical Sketch of the Quakeress, Betsy Ross, by Addie Guthrie Weaver (Chicago, 1898). In the foreword to this second edition, the author writes, "It is gratifying to note the cordial welcome extended the first edition of this work, it having been exhausted in a few months' time. The many kind letters received from appreciative readers have been an incentive to publish this second edition, to which has been added some new features making the historical data more complete."

John Wallis, The United States of America laid down from the Best Authorities, Agreeable to the Peace of 1783 (London, 1783).  

John Wallis' map of the United States includes a cartouche in the lower right corner, depicting George Washington as military leader and Benjamin Franklin as diplomat beneath a rendering of the U.S. flag. Printed in 1783, it is one of the earliest impressions of the new United States flag, with thirteen stars and stripes.

"Freedom to the Slave." All Slaves Were Made Freemen (Philadelphia, ca. 1863). 
From the print collections of the Graphics Division, we find a great number of patriotic images, including a recruiting handbill from the Civil War with the John Brown Song lyrics ​and a recruiting pitch ​on the verso. This item was published by the Supervisory Committee for Recruiting Colored Regiments in Philadelphia, 1863 or 1864.

Hayward, Nathan. S. East View of Fort St. Tammany: N. Hayward to Major H. Burbeck. ca. 1792. From the Henry Burbeck Papers
The Henry Burbeck Papers, 1735-1866, include a noteworthy view of Fort St. Tammany, on St. Mary's River on the Georgia-Florida line, given to Burbeck by Surgeon's Mate Nathan Hayward. Burbeck personally oversaw the construction of Fort St. Tammany in 1790, and this item contains a detailed depiction of the garrison, complete with an American flag. It is now housed in the Map Division with other manuscript maps from the Burbeck Papers.

Wednesday, June 8, 2016

New Online Exhibit: "So Once Were We": Death in Early America

"So Once Were We": Death in Early America

Mortality is a useful lens through which we may view many aspects of early American society. "So Once Were We": Death in Early America explores American practices and traditions for coping with death, from the early years of European exploration and discovery to the early 20th century and the burgeoning modern funeral industry.

"So Once Were We" is a partial line from a once-common verse, which has many variations. One, from a Civil War-era tombstone in St. Clair County, Alabama, is "Remember us, as you pass by / as you are now, so once were we." Other examples may be found in the section on Monuments and Stonework.  The title embodies several themes in the exhibit: the transatlantic movement of ideas and traditions, the universal experience of death, and personal and collective remembrance.

The exhibit is arranged topically and includes in part:
  • Examples of rare early European books with content pertinent to Native American funeral and burial practices (16th-17th century)
  • Early books respecting French missionaries in America (17th century)
  • Books and manuscripts related to mortality, disease, and medicine (18th-19th centuries)
  • Memorial imagery:  Printed items, photographs, and artwork (19th century)
  • Post-mortem photographs:  Memorial photographs taken mostly for private mourning purposes (19th-early 20th centuries)
  • Books, photographs, manuscripts, and instruments respecting embalming, undertaking, and transportation (19th-early 20th centuries)
  • Manuscripts, pamphlets, and photographs regarding American funerals (18th-19th centuries)
  • Examples of 19th century funeral cards, images of floral arrangements, mourning stationery, and other memorial products
  • Books, manuscripts, and photographs pertaining to 19th century mourning fashion (especially women's fashions)
  • Materials related to monuments, tombstones, epitaphs, and cemeteries (mostly 19th century)
  • First-person accounts of the deaths of George Washington and Abraham Lincoln, with additional materials related to their funerals and public commemoration.
The online exhibit "So Once Were We": Death in Early America is an expanded version of a physical exhibit, which was on display at the William L. Clements Library from October 17, 2011, to February 27, 2012.

Friday, March 18, 2016

Today in History: The Stamp Act Repeal, March 18, 1766

Guest post by Kayla Carucci, Book Division student assistant and graduate student at the University of Michigan School of Information.

With the move from Ellsworth back to campus finally complete, the Clements staff and volunteers grow more excited by the day for the reopening of the reading room. Relocating the collections served as a reminder of how vast and varied the Clements Library holdings are.

A five shilling stamp from the Thomas Gage Papers, William L. Clements Library, The University of Michigan.

In March 1765, Parliament passed the Stamp Act, a controversial taxation measure which forced colonists to purchase a British stamp for every paper product they obtained, including but not limited to newspapers, licenses, wills, deeds and playing cards. The tax ranged from three pence to two pounds for each individual sheet of parchment, vellum, or paper depending on the intended use; for example, a certificate or diploma from an institution carried a two pound tax, the modern-day equivalent of $352.79 USD. However, such documents were not commonplace; a pack of playing cards, found in many households, carried a one shilling tax. In today’s society, it would be the same as paying $8.60 USD, in addition to the price of the deck.

A popular satirical print celebrates the repeal of the Stamp Act. The repeal, or, The funeral procession of Miss Americ-Stamp (1766).

The Clements Library owns three different versions of this print; the original was so well received that many printmakers copied it. The repeal, or, The funeral of Miss Ame-Stamp. London: Carington Bowles, 1766.

American colonial protests began shortly after its passage, escalating into riots in the fall of 1765. Colonists boycotted British goods and attacked the homes of tax collectors and supporters of the Act.

The law became effective in November 1765 and Benjamin Franklin, then residing in London, received sharp criticism in part for his delayed rebuke of the measure. In mid-February 1766, Franklin appeared before the British House of Commons to speak in support of a repeal. A mere four months after its enactment, the Stamp Act was repealed on March 18, 1766. Yet, on the same day, the Declaratory Act passed, setting firmly in place Parliament's legal authority and supremacy over the colonies.

Revere, P. (1766). A view of the obelisk erected under the Liberty-Tree in Boston on the rejoicings for the repeal of the ---- Stamp-Act. [Boston: s.n.].

Nevertheless, an obelisk made of wood was erected on the Boston Common as a celebration; candles illuminated it from within. Each side of the obelisk portrayed the colonists’ struggles with the Stamp Act. The obelisk itself became a satirical work of art, and Paul Revere made this famous schematic engraving to preserve it. The bottom of the page reads, "To every Lover of Liberty, this Plate is humbly dedicated, by her true born Sons, in Boston New England."

Except from a letter to Joseph Galloway, from Benjamin Franklin in November 1766. Benjamin Franklin Collection, William L. Clements Library, The University of Michigan.

Several months after repeal, an exposé essay appeared in a supplement of the Pennsylvania Journal, which attempted to prove that Benjamin Franklin was an author of the Stamp Act, based in part on the knowledge that he had recommended merchant John Hughes, a friend, for the position of stamp distributor in Philadelphia. In an eloquent letter to Pennsylvania Provincial Assembly member/speaker Joseph Galloway, Franklin responded to the accusation.

1766 November 8 . Benjamin Franklin ALS to Joseph Galloway; London, [England]. Benjamin Franklin Collection, William L. Clements Library, The University of Michigan.

The letter states: “Dear friend, I received your kind Letter of Sept. the 22d. and from another Friend a Copy of that lying Essay in which I am represented as the Author of the Stamp Act, and you as concern’d in it. The Answer you mention is not yet come to hand. Your Consolation, my Friend, and mine, under these Abuses, must be, that we do not deserve them. But what can console the Writers and Promoters of such infamously false Accusations, if they should ever come themselves to a Sense of that Malice of their Hearts, and that Stupidity of their Heads, which by these Papers they have manifested and exposed to all the World. Dunces often write Satyrs on themselves, when they think all the while that they are mocking their Neighbours. Let us, as we ever have done, uniformly endeavour the Service of our Country, according to the best of our Judgment and Abilities, and Time will do us Justice. Dirt thrown on a Mud-Wall may stick and incorporate; but it will not long adhere to polish’d Marble. I can now only add that I am, with Sincerest Esteem and Affection, Yours, B Franklin”

Monday, December 21, 2015

From the Stacks: Santa Claus

The Clements staff are busy packing offices and preparing collections for our move back to campus, an all-encompassing task that makes the days pass far too quickly. We take this opportunity to step back from bubble wrap and boxes to reflect on the magic of the holidays.

The spirit of generosity that characterizes so much of this season is not only reflected in the exchange of gifts and the gathering of loved ones but also in the special efforts to heighten children's excitement and wonder. Charming letters to Santa can be found in several of our manuscript collections, but it's less common to see how Santa responded. This undated draft of a poem written by "Santa Claus" reveals some of the thought that went into these exchanges.

Undated draft poem by "Santa Claus" in our Lars Gustaf Sellstedt family collection.

"Dear children I've come with a pack full of toys / Some presents to leave for all good girls and boys / But I am growing so old, and your chimney's so small / I fear that I never should get down at all," Santa worries. His hand-wringing continues as he frets about the changing world he encounters on his yearly trip. "So many fast trolleys horses are running you meet / A quiet old saint dares not drive in the street… Then as to the chimneys they build now-a-days, / They are not made for Santa Claus by a great ways." Despite his "grumbl[ings]," Santa finishes by admitting that no matter his grievances he would not "be obliged from my darlings to part," and he promises "my sleigh with its presents shall stop at your door / And whether I come with books, candy, or toys / I've heart full of love for my girls and my boys."

This poem, if left for children to read on Christmas morning, would make Santa Claus feel all the more tangible, as his worries about contemporary road traffic and chimneys connected him to their daily experiences. Another example of how Americans grounded Santa in the historical moment can be found in Louise Clack's 1867 General Lee and Santa Claus. This volume features a story about three Southern girls arguing about Santa, with one angrily proclaiming "he wasn't a rebel. I know he wasn't, for he never came to the Southern children for four Christmas Eves." Intended to be read by children recovering from the anxieties and traumas of the Civil War, the book acknowledges the hardships experienced in recent years.

Robert E. Lee waves to Santa in this illustration from General Lee and Santa Claus. Mrs. Louise Clack's Christmas Gift to Her Little Southern Friends (New York: Blelock & Co., 1867).

The children write to General Robert E. Lee, a trusted and beloved Confederate figure, to determine whether Santa "was our friend." The return "letter" from Lee proclaims Santa "one of the best friends that the little Southern girls have," and explains that he met Santa during the first Christmas Eve of the Civil War, crest-fallen at not being able to travel South to deliver toys on account of the war. He encouraged Santa to instead "take every one of the toys you have back as far as Baltimore, sell them, and with the money you get buy medicines, bandages, ointments and delicacies for our sick and wounded men." Thus, Santa joins the rank of war heroes and the girls' worries about paltry Christmases are addressed. Tying Santa to the historical realities of post-bellum children's lives made him and his magic more believable.

The developing technology of late nineteenth-century photography could also be harnessed to heighten excitement about Christmas. Take, for example, these two stereographs from our Graphics Division.

F. G. Weller, "Christmas Scenes—No. 282" and an untitled stereograph labeled in manuscript on verso, "Santa Claus- No. 172."
These images featuring Santa, one as he prepares to descend the chimney and the second as he enters the home with his pack of toys, could be used with a stereo viewer to see them in three-dimensions. Whether through poetry, literature, or photography, Santa's plausibility—and the excitement about his visit—surely grew when these media interacted with children's already vivid imaginations. As these items from the Clements's collections show, the collective interest in building the season's wonder has found imaginative outlets through the years, harkening to children's lived realities to make the magic feel all the more special.

Tuesday, December 1, 2015

Giving Blueday at the Clements Library



Today the University of Michigan is hosting Giving Blueday, a university-wide campaign to participate in the growing tradition of Giving Tuesday, a global day of generosity to mark the opening of the holiday season. All of us at the Clements Library would like to invite you to join in this initiative. Your support enables us to build and preserve our world-class collection of early Americana.

For Giving Blueday you can choose from a number of different funds that advance our mission to collect and preserve the primary source materials used by students, scholars, and the general public alike. Consider giving to our Acquisitions Fund if you would like to support the Clements's efforts to purchase materials for our collections. The manuscript and rare book markets can be competitive and expensive, but our curators' keen eyes for "new" materials have made our collections some of the best in the world. While we continue to pursue large collections and the rarest of materials, more modest purchases add nuance and context to our holdings as well. If you wonder what your donation could purchase, consider this item recently acquired for $150.


A tongue-in-cheek elegiac poem for Chippie, the "only and beloved duck of J. N. Clark," this charming manuscript gives a unique glimpse into a nineteenth-century family's relationship with pets, death, and satire. All donations made today, no matter their size, can quickly add up and help us purchase such singular items. Another way to offer more general support for acquisitions, while also getting some added perks, is to join the Clements Library Associates. Contributing to this fund not only helps the Clements Library purchase extraordinary items, like this exquisite 1793 hand-colored manuscript map Plan de Carthagene en Murcie, but you also receive membership benefits such as invitations to special events, and our semi-annual publication, The Quarto.

Detail from Baerend, Plan de Carthagene, ([Paris?],1793), purchased with funds from the Clements Library Associates.

Many of our supporters and researchers enjoy the public programming offered by the Clements Library. Donating to our Lectureship Program helps host speakers on early America. Another way to help us reach wide audiences is through our Technology Fund. As an example of how digitized collections can be used, explore the webpage for the Arabella Chapman Project. The Clements Library has two unique photograph albums compiled by Arabella Chapman, an African American woman who lived in Albany, New York, and North Adams, Massachusetts. In collaboration with Dr. Martha S. Jones and her University of Michigan classes, the Clements has made these albums available online for student and public use.

Visit the Arabella Chapman Project, where you can digitally page through these unique albums, just one example of how the Clements Library's resources benefit from technological support.

Other digitization efforts currently underway are being made by our Joyce Bonk Assistant, Noa Kasman. She is currently working on establishing an online image bank for Clements materials and will be scanning books relating to African American history to be uploaded to HathiTrust. Whether you wish to sponsor a fellowship, as the Bonk family generously did, or give towards our general Technology Fund, your donation can further our efforts to get more content available digitally. For distant researchers having our materials online would make all the difference. Your donation can make this possible.

Our conservation initiatives go hand-in-hand with our digitization efforts, as both seek to preserve our collections for future use while making them as widely accessible as possible. Donating to our Conservation Fund could help us create custom housings to protect the most fragile items in our collections. Whether it be a simple wrap or an elaborate tray case, placing fragile bound manuscripts in protective coverings can help prevent shelf wear, light damage, and other environmental impacts. Our Charity Hospital (New Orleans, La.) Lunatic Asylum Admission Book contains admittance records from 1841-1848 for patients suffering from mental health troubles and contagious diseases. Relevant to the history of science, gender, race studies, and other subjects, this admission book contains a wealth of information. However, in order to ensure that it remains in usable condition, it needs some help.
 

The volume's binding is very fragile, its original cloth cover is fraying, and some pages have separated from the spine. Your donation to our Conservation Fund could go towards protecting incredible resources like this, ensuring that all of its information remains available for study by researchers and students.

If you find it difficult to choose just one area to support the Clements Library, you can always opt to donate to our General Fund, which will grant us the freedom to use your generous contribution to support the multifaceted operations that keep our Library a world-class institution.

As we celebrate the generosity and open-heartedness that characterizes Giving Tuesday, we hope that you will consider the Clements Library as a worthy recipient for your contribution.

Please support the Clements Library today. If you would like to discuss giving opportunities further, please contact Angela Oonk at angmo@umich.edu or phone 734-647-0864.

Wednesday, November 25, 2015

Happy Thanksgiving from the Clements Library

Tomorrow is Thanksgiving, and here at the Clements Library we're thankful for all of our supporters.

From a recent acquisition, The Club Room Gazette, a manuscript magazine produced by members of the Everett Literary Association in 1861. This beautifully illustrated volume is in need of conservation, one of several ways your Giving Blueday donation could be put to good use.

December 1st is Giving Tuesday, a global day of giving that celebrates generosity as we enter the holiday season. We hope you will consider participating in the University of Michigan's part in it, Giving Blueday.

This is the second annual Giving Blueday, and we invite you to take advantage of this chance to make a gift to the Clements Library. Your donation makes a difference to us and can sponsor our acquisitions, conservation, and outreach.

Please join us on December 1st in this new tradition of generosity!



Thursday, October 29, 2015

From the Stacks: Skeletons

With Halloween right around the corner, here at the Clements Library our thoughts have turned to all things spooky that send shivers up your spine. While perhaps not as sinister as ghouls and goblins, the bare human skeleton has a disconcerting effect all its own that lends it symbolic weight.

Our Book Division has a sampling of tracts that use the human skull as a tool to emphasize the dire impact of immoral behavior. A sermon preached at the funeral of Joshua Spooner, a man who was "barbarously murdered at his own gate… by three ruffians, who were hired for the purpose by his wife," was published in 1778. If Pastor Nathan Fiske's admonishments against this "blackest catalogue of sins" were not enough to deter wayward minds, the publisher included a woodcut of a skull and cross bones to underline the dire consequences awaiting sinners.

Detail from Nathan Fiske, A sermon preached at Brookfield, March 6, 1778: on the day of the interment of Mr. Joshua Spooner (Danvers: E. Russell, 1778), p. 3.

The image must have resonated with the audience, or at the least with Ezekiel Russell, the publisher, for six years later he included it again in the evocatively named American Bloody Register. The narratives of the "lives, last words, and dying confessions" of notorious high way robbers and pirates are accompanied by the same forbidding skull and cross bones, now amidst the message "See and fear and do no more so wickedly."

Detail from The American Bloody Register: containing a true and complete history of the lives, last words, and dying confessions of three of the most noted criminals that have ever made their exit from a stage in America (Boston: E. Russell, [1784]).

The skeleton's implication of moral danger and death served as a not-so-subtle reminder of the final consequences that awaited criminals and sinners. Heightening this connection, some publishers directly evoked the style of gravestones. The popular death's head imagery that appeared on many colonial grave markers as an icon for mortality resonated strongly into the eighteenth century. The Ungodly Condemned, published in 1771 on the occasion of a murderer's execution, certainly conjures up thoughts of death as well as the body (and soul's) final resting place.

For those interested in pre-1800 gravestones from Northeastern America, the Farber Gravestone Collection is available online.

Of course, not all skeletons serve moralizing ends; some function in a more scientific context. Our 1795 New Medical Dictionary features some stunning illustrations of human anatomy, including this jauntily posed skeleton.


Medical practitioners, for good reason, can be drawn to the skeletal figure as a symbol for their work with the human body. The Clements Library's Harvey L. Sherwood Memorial Collection includes London apothecary William P. Marshall's manuscript notes, which he entitled "Medical Manipulation." His hand-drawn title page includes a crest topped by a human skull. The skeleton's obvious symbolic link to human mortality makes it an especially appealing addition to this volume of medical information aiming to stem its tide.



The linkage between the human skeleton and death makes it an apt satirical tool, as well. In this ca. 1813 print by William Elmes, the devil stands astride a sea monster that unleashes a barrage of unholy matter on a British seaman. Lambasting the American's recent adoption of explosives and torpedoes during the British blockade of New York in the War of 1812, this print uses a skeleton to represent death. Its pugilistic stance further emphasizes how sailors had to face mortal danger, an unnerving prospect in reality even if humorously portrayed here.

William Elmes, The Yankey Torpedo (London: [Thomas Tegg], [ca. 1813]).
A detail of the print's bad-tempered skeleton.

The symbolic weight of the skeleton makes it an appealing figure, even in the more relaxed moments taken up with doodling. In a wastebook in our Constantin Family Papers, a rather pleased looking skeleton appears holding death's sickle and a bottle of some unhealthy concoction.


While foreboding in its nature, this skeleton still seems terribly cheerful, and as well he should be as we approach Halloween, the season that celebrates his ilk!